Memória como fio condutor em documentários produzidos em Cuiabá-MT

Abstract

The main aim of this Final Paper is to draw parallels between cinema and memory, with an emphasis on the prominence that the subject acquires in the documentary field. The research revisits theoretical approaches on different notions of memory and also lists notes on the field of cinema, especially documentary cinema. Finally, the TCC describes and analyzes more closely passages from three documentaries produced in Cuaibá that bring the theme of memory into play in different ways: "P.S. Glauber te vejo em Cuiabá", by Glória Albuês (1986), "Sua majestade, Chico Gil" (2022), by Lidiane Morais and "Paradiso de Aníbal" (2023), by Diego Baraldi. As well as highlighting the aesthetic and relational aspects used in the construction of these documentaries, the descriptions and analyses seek to highlight how the theme of memory runs through different works of documentary film from Cuiabá made from the 1980s onwards.