Processos de pré-produção para direção de fotografia digital : uma discussão a partir do projeto de curta metragem de ficção "Memória"

Abstract

This course conclusion work discusses practices and methods of the creative pre-production stages related to digital photography direction, proposing the development of documents relating to this stage for the "Memória" project, a short fiction film in the horror genre. To this end, studies on creative processes in the field of arts are brought forward, such as the theory of genetic criticism, by Cecília Salles (2008), the possible cartographic path, by Otávio Miguel Chaves de Sousa and Renato Ferracini (2019), and discussions of Sílvio Anaz (2018) on the specificities of creation in cinema. Furthermore, I bring David Bordwell and Kristin Thompson (2013) with the book The Art of Cinema: An introduction, and 50 years of Light, Camera and Action by Edgar Moura (2001), where particularities of the image in cinema are discussed, as well as the role of photography direction in the process of making a film and its relationships with the characteristics of the horror genre. Finally, the documents prepared are presented, such as technical analysis of the script, decoupage, light map and photo board.