Transformações da composição musical através de intertextualidade e sampling

Abstract

The association between music and electronic effects becomes more and more evident with the advance of technologies in the area of music. Although it is widely used by composers, they have a great presence in performance and improvisation, in view of the fact that the knowledge of operating these resources allows this agility of creation in a continuous process, making it easier and more efficient in the act of composing and playing, making use of intertextuality as a compositional resource. As a result, we came to the following research question: amidst so many options of effects and different techniques that already exist, and also with the new ones that are emerging every day, how to implement them in musical composition in the studio? With this, the present research will seek to investigate the presence of intertextuality in musical composition and its application in a digital environment, in addition to perform a composition using effects and studio technique based on Sampling.