Grande reportagem audiovisual sobre o lambadão : o gênero popular como música pop e a nova forma de produção

Abstract

This descriptive memorial of course completion work presents the structure of a large audiovisual report on lambadão, from the perspective of rhythm as pop musicality and addressing the new form of production of this musical rhythm, which are re-recordings. Furthermore, this work also presents the participation of women in other roles in lambadão and not only as dancers, but also as vocalists, composers and instrumentalists, gaining greater prominence in a recognized male genre. The work consists of a theoretical part where lambadão was presented as a popular rhythm, the concepts of pop music and the relationship with lambadão, the concept of re-recordings in addition to the concepts of cultural journalism and major reporting. In the practical part, the work consisted of carrying out personal interviews with sources and external records of passages. In the end, we concluded that lambadão needed to adapt to the new generation that is different from the past when the rhythm emerged and in this adaptation, the subgenre emerged, lambadinha, which has the vast majority of re-recorded songs. But, despite these transformations, including the presence of women singing and playing the rhythm, lambadão has not lost its popularity and remains the main popular music in Mato Grosso.